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India's
rich literary heritage is in Sanskrit.
Sanskrit is one of the oldest language in the world to be
recorded.
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The Vedas,
the Puranas, the Ramayana, the Mahabharata, the Shakuntala
& Meghadutam the Buddhacharita, the Hitopadesha,
the Panchatantra are some world-famous Sanskrit masterpieces. Sanskrit
has given a rich literary heritage to India and to the world consisting
of the Vedas (Veda), Brahmanas, and Upanishads, The Sanskrit epics such
as the Mahabharata and the Ramayana. Prominent
Authors are Aryabhatta , Panini, Banabhatta, Vishnugupta (Chanakya),
Shankaracharya, Kalidasa, Ashvaghosha, Kumaradasa, Bharavi, Bhatti,
Magha, Shriharsha, Bhasa, Shudraka, King Harsha, Vishakhadatta,
Bhattanarayana, Bhavabhuti.Maharishi Vlamiki, Maharishi Ved Vyas,
Vatsayana, Ashwagosh, Bhasa,
Jaidev, Bhartihari, Dandi, Bhavbhuti Maithili
Saran Gupta, Vishnu Sharma, Kalhana,and many more. The
Sanskrit language had flourished in India. Poetry, drama, mathematics,
science all had been written in this language. Vedas
The
four Vedas together represent ancient Hindu thought at its most
beautiful and esoteric and belong to the period 1500 - 1000 B.C. Rig
Veda was the first among the list. Then came the other three Vedas -
the Yajur Veda , Sama Veda, and the Atharva Veda -
Each Veda is divided into the sections Mantra/Sanhita, Brahmanas,
Aranyakas and Upanishads. The first section is the oldest of the
four, while the last two were added on between 800-600BC.
The Mantra or the Sanhita section consists of prayers, hymns of
praise and devotion. This part of the text is in separate books and the
contents are fully metered.
The Brahmanas section is in prose and comprises explanations and
legends associated with various hymns. Sacrifices and their ritualistic
performance were subordinate to the understanding of the mystic
significance of the ritual.
The Aranyakas (from aranyas 'forest') are the writings of those
students who chose to continue their quest for knowledge without getting
married. They lived in hermitages or forests, and the students
themselves came to be known as aranas or aranamanas (forest dwellers).
These texts do not concern themselves with explanations of sacrifices
and rituals, they deal with the more mystical part of such. Undoubtedly,
the distinction between the Brahmanas and the Aranyakas is not a
clear-cut one.
Upanishads, the word, is derived from upa (near), ni (down), and
sad (to sit), i.e. to sit down near. Many claim that the word Upanishad
is derived from Upasana (worship or reverence).The Upanishads number
from 108 to 150, possibly more. Some of the principal Upanishads and the
Vedas of which they are a part; Aitreya Upanishad - Rig Veda.
Taittriya Upanishad - Yajur Veda (Black Yajur) Isa Upanishad, Brihad
Aranyaka Upanishad - Yajur Veda (White Yajur) Kena Upanishad, Chandogya
Upanishad - Sama Veda Katha Upanishad, Prasna Upanishad, Mundaka
Upanishad, Mandukya Upanishad - Atharva Veda.
Vedanga
(Ved = knowledge, anga = part) are the disciplines necessary to read and
understand the Vedas fully. These are six in number:
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Siksha,
i.e. pronunciation and phonetics;
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Chhanda,
i.e. metre;
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Vyakarana,
i.e. grammar (Panini's rules and views);
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Nirukta,
i.e. etymology (Yaska's writings);
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Jyotisha,
i.e. astronomy;
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Kalpa,
i.e. rules for sacrifices and ceremonies in accordance with the
Vedas. Also known as Kalpa-sutras or Sautra-sutras.
Puranas
There
are 18 major Puranas - Brahma, Padma, Vishnu, Shiva, Bhagavata,
Narada, Markandeya, Agni, Bhavishya, Brahmavaivarta, Linga, Varaha,
Skanda, Vamana, Kurma, Matsya, Garuda, Brahmanda and Vayu. They have
been written over a long span of time and their contents as well as
their style reflect the changing times. The Puranas are not religious
texts, though they do have religious, even ritualistic, elements. They
are poetry with a religious theme. They contain accounts of the creation
and dissolution of the world, of the dynasties of kings, of geography,
law, politics, history, philosophy and so on. They have fascinating
stories about brave warriors, beautiful women, and hotheaded sages.
Written mostly as poetry in the metres of the Itihasas, the Puranas are
a lively mixture of realism and romanticism. Several minor Puranas also
exist, known as the Upa-puranas.
Ramayana
Ramayana
is written by Valmiki, who is also known as Adi Kavi (The First Poet).
The core story is about succession to the throne of Ayodhya where the
Surya Vamsha (Solar Dynasty) ruled. King Dasharatha had, through the
favour of gods, had four sons (Rama, Bharata, Shatrughna and Lakshmana)
born of his three queens (Kaushalya, Kaikeyi and Sumitra). Rama was
acknowledged as the superior as well as the eldest, and won, through his
prowess, Sita, the princess of Mithila as his wife. Dasharatha was all
set to crown him king when, incited by her maid, Queen Kaikeyi made the
old king banish Rama for 14 years. There was no fight over this issue.
For, when Bharata heard of this, he would not touch the crown. Placing
Rama's sandals on the throne, he governed the country for 14 years,
waiting for Rama to come back. The battle in this epic occurred because,
Rama, in his exile in the forests, had been accompanied by brother
Lakshman and wife Sita, and the three of them often had to face
rakshasas or vicious demons. One such, King Ravana, said to be of Sri
Lanka, carried Sita away to his walled city overseas. Rama struck up an
alliance with a troop of monkeys, Hanuman being the most prominent of
them, and with their help, built a bridge across the sea to Lanka,
fought hard and long, and finally killed Ravana. A kind of sequel, the
Uttarakanda describes how Sita, though rescued from Lanka and brought
back to Ayodhya, was not found acceptable to the general public because
she had been abducted by Ravana. As King, Rama thought it fit to
banish her from Ayodhya, and much later, offer to take her back only
when she had proven her purity by an ordeal through fire. Through Rama
and Hanuman were not originally in the Hindu pantheon, because of this
epic they have become the two most beloved of Hindu gods.
Mahabharata
The
Mahabharata is a massive work attributed to the sage Vedavyasa. The myth
is that he dictated it to Ganesha, the elephant-headed deity of wisdom
and success, who was the one to actually pen it. Divided into 18 parvans
or chapters, it is a War Epic, woven round the royal Kuru family of the
Chandra Vamsha (Lunar Dynasty), which reigned over Northern India from
Hastinapur. The war in question is the Kurukshetra War fought at
Kurukshetra in northern India, around 3,000 BC according to the Indian
tradition, and around 1,000-1,500 BC according to modern scholars. Its
original name was Jaya or Victory.
The
core story is as follows: King Santanu, father of Prince Devavrata,
re-married at a late stage in life and the Kuru throne went, not to
Devavrata, but to a succession of defective princes born because of the
second marriage. This resulted eventually in a controversy about whether
Prince Duryodhana or Prince Yudhistthira would be king. Yudhistthira had
four brothers, Bhima, Arjuna, Nakula and Sahadeva. And together the five
brothers were known as Pandavas because their father had been named
Pandu. They shared all sorts of adventures together, as well as a wife-
Droupadi who was married to them all.
Krishna,
an incarnation of Vishnu, and a cousin, was friend, philosopher and
guide to the Pandavas. At the battlefield of Kurukshetra, all the major
warrior kings of India were united under either Prince Duryodhana's
banner or Prince Yudhistthira's. After a gory, 18-day battle,
Yudhistthira emerged victor. But the epic does not end there. It takes
us to great spiritual heights as after a benign reign, King Yudhistthira
relinquishes his throne and, with his brothers and his wife, goes up the
Himalayas into heaven.
Mahabharat
has an important part The Geeta.
Shakuntala
The
drama Shakuntala, Kalidasa's masterpiece, is a development of a
story in the Mahabharata. It has won acclaim from the great German poet
Goethe. The celestial dancer Menaka had charmed the great sage
Vishvamitra and had a daughter through him. She abandoned the child in a
wood where Kanva, another sage, took her into his hermitage. She grew up
in the hermitage, When King Dushmanta came there hunting, he fell in
love with Shakuntala. He married her, promising to make her son the heir
to the throne. Even though Dushmanta went with promises to return, the
sage Durvasa's curse made him forget them all. When Shakuntala went up
to the royal court to press her claims, Dushmanta denied all knowledge
of her. Only later, when he saw his son growing up in another hermitage
he accept him, and his mother Shakuntala, and take them to the palace
with him.
Meghadutam
The
poem Meghadutam (Cloud-Messenger) is a lyric in a little over 100
verses, divided into two parts Purvamegha (Previous Cloud) and
Uttaramegha (Subsequent Cloud). Kubera, the treasurer of the gods, has a
species of creatures called yakshas working for him. One of them was so
besotted with his wife that he neglected his duties. Kubera cursed him
by banishing him to the earth. There too he thought of his wife all the
time, and when he saw a rain-cloud pass overhead, requested it to carry
his message to his wife at the Alakapuri he had been banished from. The
poem describes the route the cloud was to take, and the descriptions are
consciously decorative so as to make the route seem attractive to the
cloud. It treats both Nature and human emotions with exquisite
craftsmanship.
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